Ijeoma Oluo Mediocre ebook


Ijeoma Oluo Mediocre ebook

Language: English

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From the author of the New York Times bestseller So You Want to Talk About Race, a history of white male America and a scathing indictment of what it has cost us socially, economically, and politically

After the election of Donald Trump, and the escalation of white male rage and increased hostility toward immigrants that came with him, New York Times-bestselling author Ijeoma Oluo found herself in conversation with Americans around the country, pondering one central question: How did we get here?

In this ambitious survey of the last century of American history, Oluo answers that question by pinpointing white men’s deliberate efforts to subvert women, people of color, and the disenfranchised. Through research, interviews, and the powerful, personal writing for which she is celebrated, Oluo investigates the backstory of America’s growth, from immigrant migration to our national ethos around ingenuity, from the shaping of economic policy to the protection of sociopolitical movements that fortify male power. In the end, she shows how white men have long maintained a stranglehold on leadership and sorely undermined the pursuit of happiness for all.

Addressing head-on the elephant in America’s living room, Oluo uses a wealth of historical research to support her argument that our country’s default mode of propping up and centering white men not only doesn’t serve us, but is actively destructive.

As Oluo puts it in the book, “I believe that we are all perpetrators and victims of one of the most evil and insidious social constructs in Western history: white male supremacy.”

The “identity politics” that white men cling to has brought them to a dark place, Oluo said. When she looks at white male identity in America, she writes, she sees “the desperation, the disappointment, the despair, the rage,” and women and people of color become scapegoats for all the ways in which white men feel cheated out of what they believe they are due.

For the majority of us who are not white men, this might seem strange to hear, given that along with an encyclopedia’s worth of other inequities, white women still make significantly less than white men and most women of color earn half of what white men earn; men still dominate all parts of government and women still make up only 5% of Fortune 500 CEOs, as Oluo reports in the book. Our world is still designed to benefit white men over everyone else, Oluo said in a recent interview with The Seattle Times.

“There’s this myth that white men are just endless potential,” Oluo said, “that so outshines the potential of women and people of color. That we can’t ever let [white men] fail,” and this belief takes us all down with it. “The amount of energy, the amount of effort, the amount of huge failures we have because we keep investing in white men never having to do better. Just hoping that if we keep propping them up, they’ll do better. It hurts us all.”

In case anyone believes that somehow liberal areas like Seattle are exempt from the religion of white male supremacy, Oluo has some bad news. “Progressive white America has to figure out and start owning whiteness,” she said.

In places like Seattle, Oluo said, white people often want to “abstain from whiteness” and say they are not part of the system of white supremacy, and they are especially not like those other white people, the kind who voted for Trump. She said it’s time for all white people — including those in liberal enclaves — to do the work needed within whiteness, and to push for the types of transformations that reject white supremacy in its many incarnations.

White people need to say, “I am not actually divorced from my uncle who voted for Trump. I am actually connected and I am a part of this, and I need to own that and figure out how to change it,” Oluo said. “The amount of white people who get to skate by just being mildly complicit in violent white supremacy just baffles me.”

Why do we accept that the natural order of the universe is that white men will be centered and the rest of us will orbit in service of them and their leadership? Oluo challenges us to imagine a different way — a new path that maximizes the potential of every person, that doesn’t waste the incredible talents and contributions of women and people of color. A path that looks at leadership and leadership traits differently.

Oluo said we do ourselves a disservice when we continue to revere traditionally “masculine” notions of leadership and dismiss leadership that we are socialized to see as “feminine.”

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365 Days Full Movie Online


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For several days, the 365 days movie has been available to Netflix subscribers around the world. The production based on the best-selling novel by Blanka Lipińska did not get too many positive reviews in Poland, but was included in the TOP10 most watched on Netflix. We remind you that the movie hit the popular platform on April 1, 2020. However, now it is a sensation around the world. 365 days is one of the most watched movies and series on the Netflix platform in the United States, Germany, Switzerland, Turkey, Great Britain, United Arab Emirates, Greece and … many other countries. TikTok users also got interested in the movie story of Laura and Massimo! What is the new challenge in the popular application?

TikTok users around the world have gone crazy about the movie 365 days. Hashtag # 365days already has over 248 million views in the popular application. It is also worth noting that this number is still growing. There was even 365 days of challenge, in which TikToku account holders record themselves during the screening, share their impressions about the plot and acting. However, the most popular are movies that show how TikToka users react to hot scenes with Laura and Massimo starring.

Many people also love the beauty of the Italian gangster. Michele Morrone, who plays one of the main roles, commented on the global success of the film 365 days. The actor did not hide his emotion. As he himself admitted, unlike Massimo he is a very sensitive man.

However, it is worth mentioning the negative comments that appeared on TikToku, as well as on Twitter. Internet users return, among others attention to the brutality of some scenes in the film 365 days. They point out that the promotion of sexual violence is unacceptable – this is a widely discussed issue in the United States. Others criticize the acting and script. There are also comparisons to 50 Gray faces.

There is no doubt that Blanka Lipińska has achieved another success, this time international. The author thanked her fans from Poland and around the world for interest in the film 365 days, as well as for using a legal source of distribution. In her speech on Instagram Stories she assured that the second part of the film will be created. What’s more, the author admitted that “it will be even better”. The film will probably hit the cinemas in 2021.

Critics did their best to prevent 365 days from becoming a hit. However, their efforts were in vain. We rushed to the production screenings in crowds, which is why it gathered one and a half million viewers. Of course some left embarrassed and others delighted. And since we all have a sense of national pride, we had to somehow react to foreign opinions about the native title. And again we stood on both sides of the barricade.

Blanka Lipińska’s famous debut in 2018 in the form of the erotic novel “365 days” resulted in the film adaptation of the book of the same title. Filming directed by Barbara Białowąs entered the cinemas in February this year and just a week after the premiere gathered over a million viewers in front of the screens.

Despite the turnout success, the film inspired by Lipińska’s novel met with harsh criticism of the reviewers – both due to the quality of the film and in terms of its message (one of the main allegations is the sexual violence promoted in the film and the objective treatment of women).

Interestingly, since Netflix released “365 days” in its international library on June 7, from various parts of the world, next to criticism of the film, there are very enthusiastic opinions about it: viewers from Great Britain and the US are already asking for the continuation of the title and the English translation of the Polish book .

Comparisons to the best-selling series “Fifty Shades of Gray” by E.L. James and her film adaptations impose themselves: here is “liberated” (with this one could argue, especially in the context of the objectification of women in both titles), a nude woman takes on an erotic plot (until now usually reserved for men) and bravely breaks taboos women’s sexual fantasies. Well, there is supply, there is demand. Apparently, both James and – in Poland – Lipińska have shaken into a certain niche. Film reviewers can wring their hands and feminists protest, but the fact is: people like this kind of cinema.

So it goes on in “365 Days 2″ and “365 Dni 2″: At the end of the first part Laura and her kidnapper Massimo actually fell in love – they even want to get married. But then Laura is kidnapped by a Mafia competitor from Massimo.

In the sequel, Massimo does everything to free Laura from the clutches of his competitor – and he must also find a way for the future to better manage his new love and his dangerous life as a Mafia godfather …

So it goes on in “365 Days 3″: Finally it works with the long planned wedding of Massimo and Laura. But then Laura, who is now pregnant, is shot shortly after the marriage.

Massimo has to make the difficult decision whether he wants to save the life of his wife or the life of the baby – making “365 Days 3″ the “Sophie’s Choice” of the station literature. In addition, there are other serious changes in the house …

The erotic film “365 DNI”, also known as “365 Days”, is about sex. But if you think the film only teases explicit topics like “Shades of Gray”, you’re wrong. During a vacation in Sicily, career woman Laura (Anna Maria Sieklucka) longs for a change. She no longer felt comfortable in her boring and overwhelming relationship with Martin (Mateusz Łasowski). Mafia boss Don Massimo targets her and wants to win her over.

But instead of the usual fanatics, he simply kidnaps them. Laura should fall in love with him in 365 days. Instead of roses and chocolates, Massimo prefers dominance and bondage. In bed he is in charge and tries to tie Laura to himself with it – and with the ropes on his bed. His love for power games and hard sex is shown openly in the film, so it gets hot. The recipe for an erotic classic: a passionate drama, seasoned with mafia-like machinations and rounded off with a dash of romance.

The film “365 days” is an affirmation of psychopathological obsessive behavior, shows that the will of the socially or physically stronger individual authorizes the enslavement of the weaker. It is the science that clothes, yachts, apartments, biceps and power are the only way to a happy life.

“365 days”, i.e. the film adaptation of the book by Blanka Lipińska, has already been included in the “rich-porn” genre, which is characterized by stuffing as much sex as possible on screen, including in luxury means of transport and real estate with a porter. The film with Anna Maria Sieklucka in the role of the main character kidnapped by a handsome mafiosis was accused of misogyny, chauvinism, objectification of women, extreme sexism, classism, body-shaming, victim-shaming, inducing sexual frustration, glorification of rape culture, glorification of belonging to organized crime groups of armed nature, and finally glorifying the Stockholm Syndrome (random order). The number of blatant offenses against the values ​​fought by liberal-emancipatory environments from around the world, combined with the fact that the film takes first place on Netflix’s global charts, caused a real stir. It’s hardly surprising, however, “365 days” is a bad and harmful movie. First things first.

Watching “365 days” all the time we have the impression that we are observing a naive fantasy of glamor, glamor and handsome brunettes with exaggerated jaws as character traits. Men who give orgasms and warmth to their women, and give orders to their subordinates. The heroine of the main hijacking hero is described by the heroine herself: “Imagine a strong male who always knows what he wants, and is your guardian and protector with whom you always feel like a little girl. Which has a body carved by God Himself, and the devil. ” No, I did not invent it, in this film such texts really fly, and the further the more similar issues describing how our heroine perceives: relationships, love, work, life and a dream man.

Anna Maria Sieklucka and Michele Morrone will play the main roles in “365 days”. It is their romance that will ignite all viewers. Laura is a beautiful and talented girl who is successful in her professional life, but there is no happiness in love. The girl is embroiled in a long-term relationship without passion, which she gives the last chance during a trip to Sicily. It is there that she is noticed by Massimo – the boss of the Sicilian mafia family. The man, when he miraculously avoided death, saw in front of his eyes the image of a beautiful girl and went crazy about her. The Italian decided at all costs to find the woman of his dreams, until one day he notices Laura Biel …

The film “365 days” appeared in Polish cinemas in February, and for some time has also been available on Netfliks. Despite the unfavorable reviews, the film adaptation of the bestseller in the genre of erotic novels has achieved significant success. And now it got loud about her abroad. All thanks to Netflix, which introduced “365 days” to its offer in various parts of the world. For example, in the Philippines, he climbed almost to the top of the most popular films in the country.

Interestingly, on Twitter, hardly anyone raises a topic that was widely commented in Poland after the premiere of “365 days”. That is, the topic of rape and showing the use of a woman as something positive and desired by the victim in her own way. Netflix foreign users don’t bother that for the most part. And they seem to treat it as a harmless fantasy.

What do you not like about “365 days” abroad? Strangely, this is not an acting game, screenplay or mentioned controversy, but the way in which Lipińska’s first film ends. The new fans are looking forward to continuing, and many say that they would gladly read a second book if it appeared in a language they understood.

The story is not simple. Laura Biel (played by Anna Maria Sieklucka), a manager in an elegant hotel, goes with her fiancé and friends to Sicily. A beautiful island is to help flare up the dying feeling. Does not help. Fiance, even on vacation and on the birthday of his beloved, prefers the company of a friend or his own. Laura is sad and resentful. When he walks alone through the streets of Taormina, he bumps into a handsome Italian who takes her into the unknown. To her great surprise, it turns out that he was looking for her for years. The girl accidentally fell in his memory at the time of traumatic experience. And here begins the game between desire and desire for love. Massimo – played by Michele Morrone, an Italian actor fulfilling himself 100 percent in his screen incarnation – he kidnaps the girl, but he doesn’t want to take her by force. He wants her to love him. And he gives her 365 days.

The main character is not overwhelming beauty, much less a porn star. It’s a pretty girl next door. Plus for the cast, because they will be able to identify with her so-called ordinary girls. A deadly handsome Italian lover takes her shopping, balls and yachts. He is rich and lives in the palace. In contrast to the exotic fiancé, he is completely focused on Laura. For this he is strong, imperious and caring. Sounds like a dream come true for many women, at least on the screen. And that’s it. And that numb dialogues and actors too? This is secondary.

Nice pictures, Italian landscapes, nicely photographed heroes are an important part of the workshop in an erotic film. There was a widespread expectation of a flap, and in the meantime a nice erotic movie was made, in which first there is love and then sex, and finally a white dress. “Gray” in Polish is promiscuous and more attached to traditional values ​​than its American film counterpart.

“365 days” is the Polish answer to the American trilogy about Gray. Like all three parts of Mr. Gray, the Polish film was based on the novel – under the same title, authored by the greatest scandalist among Polish writers, who successfully maintains this myth, i.e. Blanka Lipińska. Ms. Blanka, moreover, oversaw the creation of the film, and – attention, spoiler, but already everyone wrote about it – appears in one of the scenes as a bride.

The film based on the novel by Blanka Lipińska became an unexpected hit after the premiere on Netfliks in the United States. All thanks to the popular Tic Toc application among young people, where there was a challenge in which you had to record your reaction to the sharpest sex scene in the movie. Thanks to this, the film quickly got to the first place of the most watched films overseas.

The popularity of the picture, however, did not overshadow the eyes of American film experts who strongly criticize Polish erotic. Portal Variety admits that the only thing that deserves attention are sex scenes – but a moment later adds that a few seconds preview of the production on the popular Pornhubie would be enough.

“» 365 days «is the story of an empty idiot who is kidnapped by a handsome mafiosis and has a year to fall in love with him” – we read in the first sentence of the review. “This story is even more regressive than the popular children’s fairy tale” Beauty and the Beast “. Imagine that beauty doesn’t mind that the beast kills many villagers if he gives her some strong orgasms on the yacht,” adds Jessica Kiang from the portal.

The author of the review believes that “365 days” is simply a manifestation of stupid sex policy, two views of misogyny and disgusting erotic suggestions. He does not leave a dry thread on the dialogues, which she thinks is the worst aspect of the film, and claims that the consent to rape appears in the production.

Information on where to watch the movie “365 days” online for free is primarily looking for those who would like to watch the new production of Blanka Lipińska, based on her novel of the same title, at home. We have very good news – at the end of March 2020 on the official Netflix profile in social media there was information that the movie “365” days will hit Netflix on April 1. It will therefore be the only legal source through which you can watch “365 days” online.


Michele Morrone – Massimo

Anna Maria Sieklucka – Laura

Bronislaw Wroclawski – Mario / Massimo’s right-hand

Otar Saralidze – Domenico / Massimo’s man

Magdalena Lamparska – Olga / Laura’s friend

Natasza Urbanska – Anna / Massimo’s ex-lover

Grazyna Szapolowska – Klara / Laura’s Mother

Tomasz Stockinger – Thomasz / Laura’s father

Gianni Parisi – Massimo’s Father

Mateusz Lasowski – Martin / Laura’s boyfriend

Agnieszka Warchulska – Bank manager

Przemyslaw Sadowski – Hotel manager

Michal Mikolajczak – Security Chief

Internetional titles:

Boneco do Mal 2

The Boy: la malédiction de Brahms

Setono vaikas 2

The Boy: Bramhs’ Curse

The Boy – A Maldição de Brahms

Дечак 2

The Boy: La maldición de Brahms

Cậu Bé Ma II

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